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Really nice lesson. And thanks for the shout-out.

Hi, thx. When doing the displaced Charleston, how do I know which chords to anticipate?

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Awesome lesson - thank you

Be a Rhythmic Human Being - great advice!

Love it - this is the best explanation of jazz piano comping that I've been able to find. You've helped me a ton - Thanks so much for sharing these videos!

Thanks Dave. I think it was important that you emphasised living with/shedding a new concept so you don't need to use the intellectual side when your in flow. Nice playing.

Merci pour cette vidéo. Très intéressante et instructive. Je me suis abonné.

How would you recommend distributing the notes between the hands for the drop 2 (no camera view). 2 in the left and 2 in the right? Do you recommend sticking to one distribution or practicing all ( 1 & 3, 2 & 2, 3 & 1)? Thanks for the videos!

I really enjoyed this lesson. Thanks so much

I learned all the rootless voicings in the context of the 2-5-1 progression (both the A and B voicing) and then the muscle memory in my fingers automatically takes over without me even thinking about it. It’s the same for every key. I don’t think of 3rds and 7ths. Should I be? My teacher had this all down on paper.

Thanks for these really amazing videos, I have been looking for lessons on comping on RUclips but didn’t find much, before finding ur convent !

Very good video thank you! I just discovered your channel recently and it's very inspiring

Muito bom, David!!!

It's helpful that you are using drop-2 as an organizing principle for a lot of different types of voicings

Nice explanation!

David, this is great stuff. I totally dig your thorough approach to comping concepts, you offer much to work with, really! Thank you for your generous sharing, much appreciated!

Great info! Thanks David! I'm also in the process of moving to Vst's with Gig Performer and a computer. It's very time consuming but I think it's worth it in the end. Are you using a backup UPS for your computer or are you just running on the batteries? Did you ever consider going with only one keyboard and using splits? I would be also interested in your process/approach learning the new songs from the record for this upcoming gig. Do you write them down in Mobilesheets and trigger the sounds from there? Sorry for the long comment/questions.Thanks again!

As a guitarist idk how I got here or why I watched the whole video. Have a sub

Extremely articulate explanation!

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Thank you! This articulation of the Red Garland rhythm was the same what I was taught by the great Danish jazz pianist Martin Shack. It took me some time now to understand the difference between dit and dot. Wasn't the more classical way of dribbling those chords the one that resembled the longer "Dot"? You're saying that the proper Red Garland resembles "Dot". But your explanation sounds really good with avoiding the vertical staccato. By the way, just extra fun fact: apart from Red Garland, Ahmad Jamal has also many recordings of extensively using this style of comping.

Great tips man. Appreciate you sharing your approach.

Out of my pay grade but easily doable for my level. Merci.

Merci beaucoup. I only started my music education after 65 yoa when I bought a piano. I had joked my whole life that I had been born with two left ears. I'm trying to change that. I was humbled by a video where I realized that after two years of playing I wasn't yet ready to call myself a beginner, since I need to work on the basics. This is an amazing video that presents a very basic concept in a clear way. I started watching part two, but took your advice.

excellent, thanks David (found you on Keyboard Chronicles) 🎹❤

Quick question though...How would you practice something like "King of the Hills" and be able to freely improvise with the RH once you get the LH pattern down? What are the steps you go through to add the RH? Do you start with a 1/8 note scale very slow around 40BPM with the RH? What would be the next steps? Arpeggios? Thank you!

this was great!

Great point and info! Looking forward to the next video. Thank you for posting this.

epic banger of a video

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Right on 🎉❤😂

Very beautiful my friend

Please could explain your concept again about the superimposition part….I really love your lesson

Beautifully said.

Nice one, Dave!

Très bonne analyse David!Spot on the reality of the Life of a musician in Mtl today,you have to do a lot of different things to make it!

Much needed precision and insights to Yannick’s take. I think you’re absolutely right about the industry’s model that needs to become much more fluid, about the fact that the promoter’s job is in the artist’s hands far more that any artist would want. And also such a great point about putting forward francophone content. I’ve been saying this for the longest time, if we were better at shining light on our language through culture, we wouldn’t need some of our “language preserving” laws but that is also a whole other story!!

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Let’s go Dave!!!

Arturia's bass has a beauty in the lower spectrum .... wonderful harmonics ....and then you can adjust the brightness and color on a lot of presets ....which makes a sound readily usable with minimal tweaking ...

Great tip - I'd assumed I suffered from this affliction but was pleased to find I don't, at least when sitting at the keyboard :)

saravá sua música, David! 💫♥️

Welcome back!!!!!

@0:38 clave @2:58 Campana (cowbell), Timbales @5:26 piano montunos

well done sir, thank you

Sounds so good!!!

Awesome

it sounds like in u-he cutoff is more opened, i think u could make em sound more similar

For April fools you should do a comparison “analog vs digital” But for all sounds have it be the same exact synth sound every time. It would be hilarious to see people be like “Number 5 sounds the warmest”